Courage Wears Two Uniforms
Baseball's Greatest Heroes
In Partnership with the National Baseball Hall of Fame
The Opportunity
A prestige cinematic event for America's 250th anniversary.
The never-before-told stories of 71 Baseball Hall of Famers who served in wartime. A four-part limited series in partnership with the National Baseball Hall of Fame. The America 250 window doesn't come again for 250 years.
What we need: The voice.
The Series Opening
It's a fighter plane, from the pilot's eye and it's flying over Korea... slow and sunny and then bang! Wham! Boom! The biggest goddamn explosion you ever saw... and then it goes dark. Dark! For maybe 10 seconds... And then when it comes back, there's the ballpark. And the crowd. Roaring. And that's how it's supposed to begin. Ted Williams to Richard Ben Cramer
This is how HOME & AWAY begins.
The Constant
The one constant through all the years has been baseball. America has rolled by like an army of steamrollers. It has been erased like a blackboard, rebuilt and erased again. But baseball has marked the time. James Earl Jones, Field of Dreams
The Series
Band of Brothers-style narrative arcs. Not talking heads. Branch Rickey is the connective thread through every episode. Prestige cinematic storytelling with AI-enhanced combat sequences, living archive photography, and the voices of those who were there.
Episode One
Yogi Berra • Jack Buck • Joe Garagiola
Elizabeth Avenue, St. Louis. Italian immigrant neighborhood. Yogi at 5447, Joey at 5446, playing catch across the street. Branch Rickey lowballs Yogi at the Cardinals tryout. The Yankees match. Rickey's mistake sends Berra toward pinstripe immortality. Then Pearl Harbor. Jackie Robinson is on the SS Lurline when the crew starts painting the windows black. And on D-Day, a 19-year-old catcher mans a machine gun on an LCSS rocket boat at Utah Beach. The crews called them Landing Craft Suicide Squad.
Episode Two
Jackie Robinson • Larry Doby • Hank Greenberg
Three men who faced prejudice in their own uniforms before facing the enemy abroad. Jackie Robinson refused to move to the back of an Army bus at Fort Hood. Court-martialed. Acquitted. The courage forged in that courtroom changed America. Larry Doby integrated the American League eleven weeks after Jackie, with none of the fanfare. Hank Greenberg hit home runs against Hitler. And the man who signed Jackie: Branch Rickey. The same WWI veteran who commanded Cobb and Mathewson. War taught him what sacrifice looked like.
Episode Three
Warren Spahn • Monte Irvin • Combat Engineers
Two future Hall of Famers. Both combat engineers. Same theater. Same hell. Warren Spahn, Battle of the Bulge, wounded at Remagen Bridge, the only intact crossing over the Rhine. The only MLB player to receive a battlefield commission. Monte Irvin, combat engineer, same theater, would become a Giants legend. Jack Buck returns. The voice we met in Episode 1 was wounded at the same bridge. The threads of this tapestry weave tighter.
Episode Four
Ted Williams • Jerry Coleman • Marine Pilots
We return to where we began. Ted Williams. Two wars. Thirty-nine combat missions, more than half as wingman to John Glenn. February 16, 1953: his F9F Panther takes heavy fire. Plane on fire. He belly-lands at 200 mph. Watching from the runway: Jerry Coleman. Yankees catcher. Another Marine pilot. As Williams emerged, Coleman called out: "Hey Ted, that's a lot faster than you ever ran around the bases!" The explosion that began our story finds its answer in one defiant crack of his bat.
The Empty Plaques
For every hero who returned, thousands didn't.
Eddie Grant. Elmer Gedeon. Harry O'Neill. MLB players who gave everything. Not Hall of Famers. They never got the chance. The ghosts of what might have been.
The Format
Talent Targets
Every element is in place. The Hall of Fame partnership. The Emmy-winning team. The once-in-a-lifetime premiere windows. What we need is the voice that brings these stories to life.
Priority 1 — WME
The Perfect Fit
From Field of Dreams to the fields of Normandy. Nobody in American cinema understands what baseball means to this country better than Kevin Costner.
Costner has spent 35 years building the cultural vocabulary for baseball nostalgia. HOME & AWAY is the logical evolution. Not fantasy fields in Iowa, but real heroes who traded bats for rifles and came home to play again. "The one constant through all the years has been baseball." James Earl Jones said it in Costner's film. This series proves it.
| Baseball | Field of Dreams, Bull Durham, For Love of the Game — the defining baseball movie actor of his generation |
| Americana | Yellowstone proved he owns American frontier mythology. Dances With Wolves showed he carries epic scope. |
| Patriotic | The Postman, Open Range — stories about American sacrifice and honor |
| Current | Horizon: An American Saga demonstrates appetite for epic, legacy-defining projects |
Priority 2 — WME
The Prestige Play
Two-time Oscar winner. The definitive voice of military honor and American sacrifice on screen. No one commands attention like Denzel.
HOME & AWAY isn't just about baseball players who served. It's about men who fought two wars: one overseas, one at home. Jackie Robinson was court-martialed for refusing to move to the back of a military bus before he ever stepped onto Ebbets Field. These are Denzel stories.
| Military | Glory (Oscar winner), Courage Under Fire, A Soldier's Story — the canon of Black military heroism in American cinema |
| Justice | Malcolm X, The Hurricane — portraying men who fought systems and won |
| Gravitas | His narration would elevate this to Oscar-doc territory. Selective and legacy-focused. |
Priority 3 — WME
The WWII Authority
Saving Private Ryan. That's the film that defined the WWII generation for modern audiences. Matt Damon was at the center of it.
The opening of HOME & AWAY: Ted Williams' fighter jet screaming over Korea. The crash. The darkness. Then the roar of the ballpark. This is the same tonal territory as Private Ryan. The horror of war and the grace of homecoming. And Ted Williams was a Red Sox legend. For a Boston kid, this is personal.
| WWII | Saving Private Ryan, The Monuments Men — he IS the face of Greatest Generation cinema |
| Baseball | Lifelong Red Sox fan. Born in Boston. Fenway is personal. |
| Narrator | The Martian proved he can carry a story with just his voice and presence |
| Production | Artists Equity (with Affleck) — producing ambitious prestige projects |
Direct Connection — CAA
The Hill's Favorite Son
Jon Hamm is St. Louis. Born and raised. And he became famous playing a New Yorker. That's Yogi Berra's story: a kid from The Hill who became a Yankee legend.
Episode 1 lives on Elizabeth Avenue. Three Hall of Famers from one Italian immigrant neighborhood. Hamm understands that world. He grew up in it. Mad Men proved he can carry period drama with quiet authority. This is personal geography for him.
| St. Louis | Born and raised. Cardinals country. The Hill is his backyard. |
| Period | Mad Men — seven seasons of inhabiting mid-century America with precision and gravitas |
| Range | The Town, Baby Driver, Top Gun: Maverick — dramatic weight across genres |
| Baseball | Lifelong Cardinals fan. Understands the St. Louis baseball identity at a cellular level. |
The Ask
WME likes options. Here are three tiers of talent involvement.
| Tier | Role | Time | What It Looks Like |
|---|---|---|---|
| Narrator | Voice-over narration | 2-3 sessions (~3 days) | Read from script, record in your city, minimal travel |
| Narrator + EP | VO + Executive Producer credit | Same + name on project | Lightest meaningful attachment to a prestige America 250 project |
| Host + EP | On-camera + narration + EP | 3-5 shoot days + VO | Visit historical sites. Fenway. Cooperstown. Fort Hood. Walk where they walked. |
The Team
The Close
When you sit down in the theater and the lights go off... what's the first goddamn thing you see? Ted Williams to Richard Ben Cramer
71 Baseball Hall of Famers served in wartime. Their stories have never been told at this scale. The Hall of Fame is in. The America 250 window is open. The format is revolutionary.
All we need is the voice.